On a very basic level, windmills convert energy.
As an artist, Windmills does much the same thing, taking personal tragedies, triumphs & memories & transforming them into songs dripping with emotion.
Raised in 2 countries with deep international roots & a restless curiosity for sound, Canadian-born Windmills began creating music in 2011.
As a performer he’s toured across North America, performing at major music festivals of thousands to intimate rooms, creating a name for himself & his trademark sound. That sound, known as “Moody Indie Swoon Pop”, has become something meticulously cultivated & obsessed over, with careful thought & attention to where it may lead,
consistently challenging it to evolve.
There’s an immediacy & sense of nostalgia to Windmills’ work,
something foreign & familiar all at once.

& the work speaks for itself,
featured in films & documentaries, television & ad placements globally since 2013.
As a composer, Windmills has written original music for short films, theatre, & online series. Compared to Patrick Watson, Jon Hopkins, Ólafur Arnalds & Johan Johannson,
Windmills has proven he can’t be classified by any one genre or any one label.

After staying quiet & honing his craft, working relentlessly on his songwriting, Windmills released what need is there to weep? in 2022.
A full-length album unlike anything he had released before.
The response was deafening, immediately selling out the first vinyl pressing,
with records shipped to over 30 locations globally on 5 continents.
The songs landing on major playlists & licensed for incredible projects internationally.

The next chapter, as always, is still being written… windmills keep moving.